The marvelously named Francis Godolphin Osbourne Stuart FRPS was born in Braemar, Scotland, later moving to London and then Southampton. A successful published photographer of both portrait and landscape scenes, Stuart sold his images to publications such as guidebooks in London and Southampton and later moved into the business of publishing picture postcards, using the stocks of images he had built up. His work is still in demand today for its evocative depictions of town and country life of the late 19th and early 20th Centuries.
Stuart was born on the 2nd of October 1843 in the parish of Crathie and Braemar in Aberdeenshire, the son of a gamekeeper on the Duke of Fife's estate. He was given his splendid names in compliment to the Duke of Leeds who had a house there.
From about 1869 Stuart is known to have worked for Aberdeen based Andrew Adams. Adams owned the 'A. Adams Photographic Rooms' at Rettie's court, 26 Broad street. Stuart is listed as kiving at the same address with the occupation of 'photographer'. Adams himself lived elsewhere. It's possible that Stuart served some kind of apprenticeship prior to 1869.
In about 1872 Stuart left Aberdeen for London and set up in business in his own right, marrying Agnes Reid in 1873. Stuart operated from a number of addresses in London:
In 1880 Stuart was elected as a fellow of the Royal Photographic Society and exhibited in their 1880 and 1883 Annual Exhibitions.
In about 1887, after several years at Bedford Place, he established his permanent home and studio at 57-61 Cromwell Road, north of the centre of town. Stuart lived at number 57 and used 61 as his studio. In about 1894 he also took over number 59, which sat between numbers 57 and 61, and used this as a store. 57, it seems, was destroyed during the war; the bomb map shows a hit in this area and post-war maps show 57 is missing. Today a 1960's house occupies the site.
It was in Southampton that Stuart started to publish postcards from about 1901, using the image library he has built up over the years. They were initially printed in Britain by Hudson & Kearns in black and white but from 1903 he turned to Germany, then leading the world in commercial lithography, to produce coloured cards believed to have been printed by the Leipzig firm of C.G Roder. This series continued until 1911, when, for unknown reasons, Stuart switched to cheaper, inferior printing using unknown German printers. Trimmed cards may be found where the 'Printed in Germany' mark has been removed from the edge, a sign of pre-war stocks being used well into the First World War and beyond. With the advent of war Stuart could obviously no longer use German printers so switched to British sources. The quality of these wartime cards, both of the printing and the stock itself is much lower than the earlier German printed ones.
During the First World War Stuart acted as the official government photographer for the port of Southampton, recording damage to shipping. This was impressive given that he was into his seventies by this time.
Stuart's original photographs were printed in black and white or sepia but Roder's cards were produced in the colours indicated by Stuart, generally realistic. Altogether, Stuart issued some 2,500 cards, extending from Southampton through Hampshire and several other southern counties, and also military and shipping subjects.
Stuart died at his home on the 1st of November 1923 at the age of 80 and is buried in Southampton Old Cemetery on Southampton Common.
Southampton Post 1923
The family business was continued under the F.G.O. Stuart name into the late 1930s, run by his son-in-law Charles Dowson (whom Stuart's daughter Flora married in 1904). Dowson is listed as living with Stuart by 1911 and as 'Manager' of the business so it is likely that he and Flora had actually been running the business for some time prior to Stuart's death. The 1935-1936 Kelly's directory lists the business but subsequent directories do not. Most likely the the destruction of number 57 during the war coupled with decline in demand for postcards and Charles Dowson's death in 1946 led to the natural run-down of the business. Flora died in 1957.
Cetainly new scenes were added to the Stuart collection following his death. These seem to all be scenes of Southampton and produced in a glossy sepia real photo format. It is not known who the photographer of these images was, perhaps Charles or even Flora.
It is not known what happened to Stuart's archive of negatives and records. Perhaps some were destroyed during the war, perhaps others discarded following the closure of the business. Flora and Charles were childless so there would have been no obvious line of inheritance.
Find out more about collecting Stuart's cards.